Photo Costin Radu
British choreographer David Dawson is one of the most innovative dance makers working in classical ballet today. His personal choreographic style transforms classical ballet in new ways, and his signature works are atmospheric, emotionally physical, abstract/narrative pieces that have been praised by critics and audiences worldwide.
Dawson was honoured with the Prix Benois de la Danse Award for choreography and nominated for the UK Critics’ Circle National Dance Award as Best Classical Choreographer for The Grey Area. Dawson created Reverence for the Mariinsky Ballet, for which he was awarded Russia’s highest theatre prize for visual art, the Golden Mask Award, as Best Choreographer, and became the ﬁrst British choreographer to create a ballet for this legendary company. He received the Choo San Goh Award for Choreography for The Gentle Chapters and was nominated for The Golden Swan Award, as Best Choreographer for Overture and 00:00. For his re-imagining of Faun(e), created for the English National Ballet’s Ballets Russes Festival at the Sadler’s Wells in London, Dawson has been nominated as Best Classical Choreographer for the UK Critics’ Circle National Dance Award and the Prix Benois de la Danse Choreography Award.
Born in London, David Dawson began his training at the Rona Hart School of Dance, Arts Educational School and The Royal Ballet School. In 1991 he won the prestigious Prix de Lausanne and the same year he was offered a contract by the Birmingham Royal Ballet. He was nominated as Best Newcomer of the Season by ‘Dance & Dancers’ magazine in 1992. He joined the English National Ballet in 1994 as a soloist, and a year later moved to Amsterdam to perform with Dutch National Ballet. Dawson. Subsequently, he joined Ballett Frankfurt in 2000, where he worked with William Forsythe and performed for two more years before deciding to devote his time to creating his own new works.
Dawson has created numerous ballets internationally, including his full-length creations of Tristan + Isolde, Swan Lake and Giselle. Amongst other signiﬁcant works are A Million Kisses to my Skin, Empire Noir, The Human Seasons, day4, The Third Light, Morning Ground, Das Verschwundene|The Disappeared, A Sweet Spell of Oblivion, The Little Prince, On the Nature of Daylight, The World According to Us, dancingmadlybackwards, 5, Opus.11 and his highly acclaimed timelapse/(Mnemosyne).
Between 2004 and 2012 David Dawson was Resident Choreographer for the Dutch National Ballet, the Semperoper Ballet and the Royal Ballet of Flanders. Since 2015 he holds the position of Associate Artist with the Dutch National Ballet. His creations have been introduced to the repertoires of many ballet companies including Boston Ballet, Ballet National de Marseilles, Dutch Nationale Ballet, Semperoper Ballet, English National Ballet, Aalto Ballet Theatre Essen, Finnish National Ballet, Hungarian National Ballet, Norwegian National Ballet, Mariinsky Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, The Royal Ballet, Royal Ballet of Flanders, Royal New Zealand Ballet, Scottish Ballet, Slovenian National Ballet, Royal Swedish Ballet, Singapore Dance Theatre, Ballet du Capitole Toulouse, Tulsa Ballet, Vienna State Opera Ballet, West Australian Ballet
Dawson has been invited as a Jury member of the Prix Benois de la Danse in Moscow and Dance Open International Ballet Festival in St Petersburg.